Monday, March 1, 2021

 


Welcome to March.... What a drizzly welcome to this new month which promises us so much...warmer temperatures, melting snow, daffodils poking up and Easter just around the corner. We, at the library, are gearing up for St. Patrick's Day... Take a look at our festive windows and stop in to make a guess at how many gold coins we have on display. While you are here, check out a "Green" book!


From the Stacks... Hotel on the Corner of Bitter and Sweet by Jamie Ford... was recently recommended... "Although this book goes back a few years it doesn't lose it poignancy. Set in Seattle during WWII around the Japanese community, it is a story that long lingers in the mind and in the heart.



Pirates Ahoy Digital Escape Room... We hope that you enjoy this Virtual Escape Room brought to you by the Tucker Free Library in Henniker NH. Click here  www.tuckerfreelibrary.org 
and then scroll down to find the pirate and click on the pirate which looks nothing like the one I have here! . (Let me know if this works!!)

Attention all Preschoolers and their Moms and Dads! We provide activities and materials for our preschoolers but we know our list of kids is incomplete. If you know of a Rumney preschooler please let Jane, our children's librarian know. Her email is jkelso@rumneylibrary.org.


Getting to know Toni Morrison... 
February 18, 2021 would have been Toni Morrison’s 90th birthday. As we approach the anniversary of a global pandemic that has changed our lives in every way, it seems a fine time to dive back into the world of Toni Morrison. The questions she asked in a 2002 lecture seem wholly relevant now, almost 20 years later: “To what do we pay greatest allegiance? Family, language group, culture, country, gender? Religion, race? And if none of these matter, are we urbane, cosmopolitan, or simply lonely? In other words, how do we decide where we belong? What convinces us that we do?”

In everything Morrison wrote, she offered narratives that revealed the journeys of characters, specific but universal, flawed and imperfect, with a deeply American desire for freedom and adventure. One might say that because her characters were almost exclusively African-American, the quest to be free — in mind, body and spirit — was the consistent adventure. She was also a masterful crafter of windows; when you opened a book of hers, the worlds you entered were so rich with detail, you could feel the molecules around you change as if you’d just taken a long flight and were descending onto the tarmac in a town or city where you’d never been.

I’ll say this. Reading Morrison can be daunting. She won the Nobel Prize, the Pulitzer, the Presidential Medal of Freedom. She was, and will remain for lifetimes to come, one of the finest writers to craft narrative in the English language. As Dwight Garner wrote when she died in 2019, “Morrison had a superfluity of gifts and, like few other writers of her era, bent language to her will. Her prose could be lush, or raw and demotic, or carefree and eccentric, often on a single page. She filtered folklore, biblical rhythms, dreams, choral voices and a steep awareness of history into her work. In the best of her 11 novels … she transmuted the basic matter of existence into profound works of art.”

One of the greatest joys of Toni Morrison’s work is knowing that you will never get it all on the first read. In her Nobel Prize speech, she famously said, “We know you can never do it properly — once and for all. Passion is never enough, neither is skill. But try.”

She was talking, ostensibly, about writing and writers. But I think it also applies to readers, her readers in particular, the millions of people around the world who have read and re-read her books. To read Toni Morrison is to know that from her brilliant opening lines to the stunning last pages that leave you shook that you will likely never match her wit and wisdom, but what joy there is in trying!

As someone who had the privilege of interviewing her several times over the last decade of her life, I think I can say with confidence that she wanted all of us — intellectuals and romance readers, book club aficionados and those of us who binge TV more than books — to get in where we fit in. Creatively, Toni Morrison set a large and lavish table of literature. If you’re new to her work, or haven’t read her in a long while, here are some thoughts about where to start.


I want to read one powerful but not too long book...



Published in 1970, Morrison’s debut novel, “The Bluest Eye,” tells the story of Pecola Breedlove, a Black girl who has so deeply absorbed that whiteness conveys privilege and beauty and — this is important — protection, that she prays for God to turn her eyes blue.

It’s worth mentioning that white characters are rare in Morrison’s novels and among the many things this does is erase the prospect of easy villains. In “The Bluest Eye,” for example, the focus is always on Pecola — her jeopardy, her world view, her survival.

As Morrison would later tell The Times, “I was eager to read about a story where racism really hurts and can destroy you.”


I want historical fiction that swings...

Jazz is the story of a love triangle gone violently wrong. But it’s also about Harlem in the 1920s. It is Langston Hughes and Zora Neale Hurston, Paul Robeson and Josephine Baker. It is shiny and powerful, hopeful and talented, it swings with possibility.

One of my favorite passages of all time in any book is from “Jazz,” and it goes like this: “I'm crazy about this City. Daylight slants like a razor cutting the buildings in half. In the top half I see looking faces and it's not easy to tell which are people, which the work of stonemasons. Below is shadow where any blasé thing takes place: clarinets and lovemaking, fists and the voices of sorrowful women. A city like this one makes me dream tall and feel in on things. Hep.”


Hope this gets you started on a wonderful adventure with Toni Morrison! Thanks to the New York Times for this article.



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